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The Cinderella Among Open-Air Theaters

Watch & Listen

2017 wasn't the first time The Ford’s amphitheater stage underwent a major transformation. In 1938, four years after his production of A Midsummer Night’s Dream at the Hollywood Bowl, film director Max Reinhardt chose The Ford as the venue for his staging of Goethe’s Faust.

In the program notes, Reinhardt described the theater as “the Cinderella among open-air theaters — in my opinion, the most beautiful of them all.”

Under the direction of set designer Nicolai Remisoff, the production involved the creation of an elaborate Bavarian village, including a church, tavern, and prison. The Ford was transformed.

Remisoff (on the left, with pointer) oversees construction on stage right. <br> Photo courtesy of Otto Rothschild Collection, The Music Center
Remisoff (on the left, with pointer) oversees construction on stage right.
Photo courtesy of Otto Rothschild Collection, The Music Center
Watch your wingtips!
Watch your wingtips!
Planning the stage’s Cinderella-esque makeover.
Planning the stage’s Cinderella-esque makeover.
The stunning completed set — the stonework and the familiar hillside backdrop are the only clues that it’s still the Pilgrimage/Ford. <br> Photo courtesy of The Red List
The stunning completed set — the stonework and the familiar hillside backdrop are the only clues that it’s still the Pilgrimage/Ford.
Photo courtesy of The Red List

With a breathtaking set like this, it’s no surprise that a who’s who of 1930s era Hollywood movie stars packed the audience for the premiere. A Los Angeles Times review describes fans crowding the entrance with their autograph books as stars such as Hedy Lamarr, Peter Lorre, Joan Crawford, Bette Davis, Gary Cooper, Olivia de Havilland, and Lucille Ball arrived for the performance.

<em class="notranslate">Metropolis</em> director Fritz Lang and actress Miriam Hopkins on opening night, August 23, 1938. <br> Photo courtesy of LAPL, <em class="notranslate">Herald Examiner</em> Collection
Metropolis director Fritz Lang and actress Miriam Hopkins on opening night, August 23, 1938.
Photo courtesy of LAPL, Herald Examiner Collection