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Big Bad Voodoo Daddy

About this Artist

BIG BAD VOODOO DADDY’s eighth studio album, How Big Can You Get? A Tribute to Cab Calloway, captures the essence of an American icon in a rowdy celebration of musicianship, mischief, genius, street smarts, and fun. It’s also possibly the timeliest and most welcome album of the year – bringing a much-needed high-voltage jolt of winning, feel-good energy to a country slogging through tough times that may be getting tougher… exactly the way that Calloway’s music did in the Depression-era America of his own youth.

Longtime fans of “America’s favorite little big band” will immediately recognize the album as a milestone in Big Bad Voodoo Daddy’s multi platinum-selling 16-year career. “Making the album was one of our biggest musical moments,” says lead vocalist, guitarist, and songwriter Scotty Morris, who co-founded Big Bad Voodoo Daddy (BBVD) with drummer Kurt Sodergren in southern California. “Delving into Cab’s songs made us all realize how relevant they were to our time, and working on someone else’s music inside out caused a growth and depth in my work as a songwriter, arranger, and producer.” How Big Can You Get is not only an illuminating revival of Cab Calloway’s songbook: the making of the album was also the revelation of a lifetime for the band as a whole, whose ensemble playing, arranging, and interpretive powers were honed to an all-time high by the excellence of Calloway’s songs. Trumpeter Glen “The Kid” Marhevka recalls being captivated by Calloway onstage as a seventh-grader: “I was 11 years old, and I was blown away; he had so much energy and so many great musicians. This album concept seemed a perfect fit for us, because of Cab’s visuals, performances, and intense energy. As soon as we rehearsed and played these songs live, it was musically challenging and refreshing to all of us.”

Since their arrival on the music scene in 1993 in a legendary residency at Los Angeles’ Brown Derby nightclub, Big Bad Voodoo Daddy’s irresistible live show and aggressive, musically perceptive approach has proven them over time to be the singular standout among the numerous bands that launched the Nineties swing revival. The seven-man group forged a massively successful fusion of classic American sounds from jazz, swing, Dixieland, and big-band music, building their own songbook of original dance tunes, and, 16 years later, BBVD is a veteran force that to this day adds new fans by the roomful every time they play.

BBVD’s originals rocketed the group into its first phase of stardom, when “You & Me and the Bottle Makes Three (Tonight)” and “Go Daddy-O” were featured in the 1996 indie film landmark Swingers. Big Bad Voodoo Daddy, named famously after an autograph by blues legend Albert Collins, sold more than two million copies of the albums Americana Deluxe and This Beautiful Life and received national critical acclaim while the band’s music has appeared in over 60 movies and television shows. With their 2003 New Orleans-inspired album Save My Soul, BBVD began playing in theaters and performing arts centers, selling out shows at the Hollywood Bowl, Walt Disney Concert Hall, Lincoln Center, Chastain Park, and Constitution Hall, just to name a few. They have appeared as special guests with the great symphony and pops orchestras of the nation, including their first symphony show with the U.S. Air Force Orchestra. The band’s career milestones have included appearances in the Super Bowl half-time show, writing theme music for ESPN and network television, and performing for three American presidents. They have appeared numerous times on The Tonight Show with Jay Leno, Late Night with Conan O’Brian, and Live with Regis & Kelly, and wrote, performed, and recorded the current theme song for the Carson Daly show after appearing multiple times as the show’s house band.

The many breakthrough qualities of How Big Can You Get have now brought the band’s horizon into exceptionally clear focus – both on a musical and a group level. “We just turned 16 this month. I couldn’t be more proud that this is the album we’ve made at this moment,” says Morris. “I did think it would last this long,” reflects trumpeter Marhevka, who joined BBVD over 14 years ago, when the band was still a trio. “I had played in many groups, and stopped doing everything else – I put 100% in, and never looked back. People ask: ‘Are you gonna be here in five years?’, and I say: Yeah! Every guy in the band has that feeling about it. The greatest moment is being here right now, doing this. The goals are always the same: getting better at what we do individually, and moving forward in the same direction. We’re still playing, and have something to say.”