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Steven Mackey

About this Artist

Bright in coloring, ecstatic in inventiveness, lively and profound, Steven Mackey’s (b. 1956) music spins his improvisatory riffs into large-scale works of grooving, dramatic coherence.

As a teenager growing up in Northern California obsessed with blues-rock guitar, Mackey was in search of the “right wrong notes,” those heart-wrenching moments that imbue the music with new, unexpected momentum. Today, his pieces play with that tension of being inside or outside of the harmony and flow forward shimmering with prismatic detail.

Signature early works merged his academic training with the free-spirited physicality of his mother-tongue, rock-guitar music: Troubadour Songs (1991) and Physical Property (1992) for string quartet and electric guitar, and Banana/Dump Truck (1995), an electrified-cello concerto. Later works explored his deepening fascination in transformation and movement of sound through time: Dreamhouse (2003), a rich work for voices and ensemble was nominated for four Grammy Awards; A Beautiful Passing (2008) for violin and orchestra on the passing of his mother; and Slide (2011), a Grammy Award–winning music theater piece. Mackey further expanded his theatrical catalog with his short chamber opera Moon Tea, about the 1969 meeting between the Apollo 11 astronauts and the Royal Family, premiered by Opera Theatre of Saint Louis in 2021. Other world premieres in 2021 include Shivaree, a trumpet fantasy featuring soloist Thomas Hooten, who premieres the work with the LA Phil and Gustavo Dudamel in October.

Today, Steven Mackey writes for chamber ensemble, orchestra, dance, and opera—commissioned by the greatest orchestras around the world. He has served as professor of music at Princeton University for the past 35 years and has won several awards from the American Academy of Arts and Letters, a Guggenheim Fellowship, and a Kennedy Center Friedheim Award. He continues to explore an ever-widening world of timbres befitting a complex, 21st-century culture, while always striving to make music that unites the head and heart, which is visceral and gets us moving.